Late King in Yellow Woods

“A taut surprise of a book that lures the reader, with wit and playful form, into the woods of the contemporary psyche. By turns spiky and sincere, Rollinson is an utterly original writer, and unafraid to plunge into our thorny cultural moment – in bravura style.”

 

— Henrietta Rose-Innes, author of Green Lion and Nineveh

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Established in 2017, we’re small independent publishers of creative writing with a specialism in hybridity of genres and forms

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The Quarantine Notebooks

In March 2020, at the start of lockdown, Muscaliet's Deputy Editor, Moyra Tourlamain, invited the Muscaliet authors to join a very informal...

Muscaliet’s 2nd Anniversary

Muscaliet’s 2nd Anniversary

This spring marks the beginning of Muscaliet Press' third publication cycle, after two extremely busy yet rewarding years of publishing. We would...

New Releases 2021

All the latest Muscaliet publications of 2021

Late King in Yellow Woods

Jacob Rollinson

Sam, a brooding and reactionary academic, feels left behind by politics and culture in the internet age. As he travels through the New England woods to meet a dying relative, he starts composing an essay on popular horror.

Pursued by guilt and lured by nostalgia, he hopes to write his way to vindication in the face of real and imagined enemies. But the mind is treacherous, and the culture wars are all-encompassing, and the woods are full of traps…

 

How Bleak is the Crow's Nest

edited by Rosalchen Whitecross

In How Bleak is the Crow’s Nest, Rosalchen Whitecross anthologises the writing of 18 women prisoners at HMP Downview and HMP East Sutton Park in 2018; writing their own stories told in their own words. In doing so, this anthology writes into ‘the silence of the lived experiences’ of women prisoners, opening an important space for us to better understand prison life for women, and the treatment of women prisoners, in the UK’s criminal justice system. The women writers in this anthology use pseudonyms to protect their identities.

The English Funerals

Chris McCully

The English Funerals is a collection of ten-line prose poems which embody an exploration of ‘epic’ verse and instantiate epic themes: the crossing of water, the consultation of oracles, descents into under– or otherworlds; the presence of miraculous beasts, and the immanence of death. Each short text allusively or explicitly contains three such themes and they are presented in a variety of voices – some old, some contemporary.

 

Paul Valéry – Poems

Translated by Ian Brinton and Michael Grant 
Comment by Michael Heller

A rich selection of Paul Valéry’s poetry from translators Brinton and Grant. From the bountiful imagery of ‘Palm Tree’ to the meditations of ‘The Mariners’ Graveyard’, the breadth of Valéry’s poetic talent is shown anew with precision and zeal.

This companion edition to Stéphane Mallarmé Poems is an unmissable contribution from his poetic successor.

 

We Recommend

Some of our top picks from Muscaliet’s back catalogue – give them a go!

Bettbehandlung

Dorothy Lehane

Bettbehandlung is a feminist re-visioning of historical and medical treatments of ‘hysterical’ female subjects and performative spaces of illness. It focuses on historical acts of diagnosis and the shifting of bodily propriety, alongside issues of dependency and witnessing.

 

Shelley Drowns: His Last Three Weeks

John Worthen

Shelley Drowns is an account of the last three weeks of the life of the romantic poet Percy Bysshe Shelley. Through a day- by-day recovery and detailed examination of the surviving evidence, John Worthen reaches an extraordinary conclusion: that the most likely cause of the poet’s death was suicide.

The probability that ‘Shelley drowns Shelley’ not only offers to correct all previous biographies (including his own, recently published major work) but to change perceptions of Shelley for ever.

A Belfast Childhood

Philip Terry

A Belfast Childhood explores the form invented by Joe Brainard in his book I Remember, and taken up by Georges Perec in France. Here the form is subject to an additional constraint, which emerges from the title: the first 26 memories are arranged alphabetically; subsequently, the alphabetical entries are permutated according to a sestina of order 26.

 

[Happenstance:]

Duncan MacKay

What happens happens, whether it’s the political madness of 2016 when most of these poems were written, or the way the words fall (or fail to fall) on to the page. If anything, [Happenstance:] is a journal; if anything else, it’s a random mix of action and reflection. As Charles Bernstein puts it: “the poem said in any other way is not the poem.” So it is with [Happenstance:] in which, in the words of ‘Sit Crooked Think Straight’: “writing follows its own bloodied nose.”