This spring marks the beginning of Muscaliet Press' third publication cycle, after two extremely busy yet rewarding years of publishing. We would...
Muscaliet is delighted to unveil its re-designed website, featuring much more content than before – including a News Blog and a Newsletter that we...
The latest from our new limited-run pamphlet series
This sequence interleaves eleven short poems of place, with an equal number of treated photographs by the author, which have asemic qualities, in that they use lines and symbols that may look like writing, but which carry no intrinsic meaning in themselves. Each poem, in some way, references writing and/or reading; the accompanying images are intended not only as illustrations, but as images to be read in some way on their own terms.
Differentials offers a variety of content in subject, tone, form and intention, none necessarily more meaningful than another. But within the frame of difference, language seeks out the significant, the insignificant, and the infinitesimal.
A diverse selection of our 2021 publications
The Dropping of Petals examines the relationship of land with language, working in the space between materiality and semiosis to explore the tension between ‘lore’ and ‘law’. The texts and images convey this in a merging of concrete and concept. They challenge whether lore — knowledge of the land, grown from our relationship with it — is less folk lore and myth, and more the ecological, muddy reality of it, than the black letter law of the land.
edited by Rosalchen Whitecross
In How Bleak is the Crow’s Nest, Rosalchen Whitecross anthologises the writing of 18 women prisoners at HMP Downview and HMP East Sutton Park in 2018; writing their own stories told in their own words. In doing so, this anthology writes into ‘the silence of the lived experiences’ of women prisoners, opening an important space for us to better understand prison life for women, and the treatment of women prisoners, in the UK’s criminal justice system. The women writers in this anthology use pseudonyms to protect their identities.
Sam, a brooding and reactionary academic, feels left behind by politics and culture in the internet age. As he travels through the New England woods to meet a dying relative, he starts composing an essay on popular horror.
Pursued by guilt and lured by nostalgia, he hopes to write his way to vindication in the face of real and imagined enemies. But the mind is treacherous, and the culture wars are all-encompassing, and the woods are full of traps…
The English Funerals is a collection of ten-line prose poems which embody an exploration of ‘epic’ verse and instantiate epic themes: the crossing of water, the consultation of oracles, descents into under– or otherworlds; the presence of miraculous beasts, and the immanence of death. Each short text allusively or explicitly contains three such themes and they are presented in a variety of voices – some old, some contemporary.
Some of our top picks from Muscaliet’s back catalogue – give them a go!
Bettbehandlung is a feminist re-visioning of historical and medical treatments of ‘hysterical’ female subjects and performative spaces of illness. It focuses on historical acts of diagnosis and the shifting of bodily propriety, alongside issues of dependency and witnessing.
Shelley Drowns is an account of the last three weeks of the life of the romantic poet Percy Bysshe Shelley. Through a day- by-day recovery and detailed examination of the surviving evidence, John Worthen reaches an extraordinary conclusion: that the most likely cause of the poet’s death was suicide.
The probability that ‘Shelley drowns Shelley’ not only offers to correct all previous biographies (including his own, recently published major work) but to change perceptions of Shelley for ever.
Translated by Ian Brinton and Michael Grant
Comment by Michael Heller
A rich selection of Paul Valéry’s poetry from translators Brinton and Grant. From the bountiful imagery of ‘Palm Tree’ to the meditations of ‘The Mariners’ Graveyard’, the breadth of Valéry’s poetic talent is shown anew with precision and zeal.
This companion edition to Stéphane Mallarmé Poems is an unmissable contribution from his poetic successor.
What happens happens, whether it’s the political madness of 2016 when most of these poems were written, or the way the words fall (or fail to fall) on to the page. If anything, [Happenstance:] is a journal; if anything else, it’s a random mix of action and reflection. As Charles Bernstein puts it: “the poem said in any other way is not the poem.” So it is with [Happenstance:] in which, in the words of ‘Sit Crooked Think Straight’: “writing follows its own bloodied nose.”